The Philosophy of Art
Does art (any kind of art — painting, sculpture, literature, music…) serve a purpose? And if so, what is that purpose? Why do we create art? And must the judgment of art be entirely subjective?
On Sunday, I visited the Brooklyn Book Festival. One of the booths housed The Aesthetic Realism Foundation. (I misread the sign at first and thought it said Atheistic Realism — this brought me up short. But even after I’d read it correctly I stayed to ask what Aesthetic Realism is.) Aesthetic Realism proposes that we can better understand our lives through the application of aesthetic principles. The booth staffer gave the example of the aesthetic practice of balancing heavy and light — being aware of the need for this balance in life can come through an understanding of its balance in art.
To me, this approach seems fascinating and insightful (and very worthy of the foundation’s efforts — for instance, they are hosting a forum on the social and personal value of Rock ‘n Roll, how cool is that?), but completely backwards philosophically; wherefrom do aesthetic principles derive if not from life?
When we ask whether art serves a purpose we ask a conceptual question. Can we relate art to a concept or set of concepts, and do these concepts give us insight into art’s possible purpose?
The answer to the first part of this question seems obvious if we think about who creates art — primarily people (and some particularly intelligent animals — larger primates and elephants). Since art requires the abstraction of ideas or impulses, it requires a conceptual process (whether subconscious or conscious). Without the product of the artistic process, which is not itself but what it represents, we have no art, therefore art relates to a set of concepts.
And herein, I believe, we have the answer to the second part of our question: The concept to which art consistently relates is abstraction! (This would still apply to representational art, in which the artist abstracts the idea or impulse of what he or she observes and transfers it to the medium of their choosing in a representational manner.)
And we also now have a clue as to a possible purpose of art. If art rests on the concept of abstraction of an idea or impulse. The artistic urge is the urge to abstract an idea or impulse. What is to be gained by acting on this urge?
Does the artist gain anything from acting on the urge? Do others gain anything from the result of the abstraction?
If we again go back to the concepts we can delve further into the concept of abstraction. Abstraction is the recreation of certain elements in another form. Abstraction is a form of reduction or refocusing. It draws out and emphasizes some aspects of the original idea or impulse.
We can say that the product of the artistic process aims to communicate this refocusing. It communicates the artist’s particular point of view on the idea or impulse. And these ideas or impulses similarly become concepts or representations themselves as they are abstracted.
If it is successful, art helps us better understand the world around us and ourselves. The more successful it is at aiding this understanding, the more valuable it is.
Hence, we have a dilemma. Art that is derivative and of little deep value in helping us better understand life’s complexities may still have mass appeal (most pop music). Whereas art that delves deeply and profoundly into complex matters may have very limited appeal.
Does the value multiply out over the number of people affected? Can an equation be drawn this simply?
More for later!
Tags: abstraction, aesthetic-realism, aesthetics, art, atheism, brooklyn-book-festival, concepts, philosophy, purpose, value